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剧情简介 《拉莉萨》是1980年的一部其它片。由依莱姆·克里莫夫执导，依莱姆·克里莫夫、Valentin Rasputin、Stefaniya Stanyuta等联袂主演。拉莉萨，又名Лариса、Larisa。A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
综合评分：
DVD电影网评分8.0，算是一部高评分电影作品，亲们，能有此分数的电影也为数不多呀，推荐大家值得观看。
影迷点评：
知止 说：43岁的拉斯普京出镜。17分：“如果你的生命被用来关怀另一个人，那你就已证明了自己的存在。这见证了人的精神生命。如果你能为别人生活，对人人都神圣的东西是有的，有关善恶和道德的永恒的品质是有的，就比如热爱故土。这都是什么？我们为了什么生在这世界上？我们为世界贡献了什么？我们用什么改善了生活？是您的潜能。”18分“信仰那无限延续者，它的名字就是：生命。”
NVHZ 说：猜对了，思想不行。……转转回来我好像还是要给你骂一下……算是个女性视野的小山了。照片笑那一下真好。这张脸，喜欢。《告别》短评字不够了补这里：这是我认为那部电影最重要的地方。那个年轻女人丢了，所以她可以是一切，可以是女性可以是土地可以是洪水树木和天空。有些事情短暂属于记忆。要用。真他妈的绝美。而且是很平静的那种。
Nusamith 说：看着前两分钟拉莉萨几张照片组成的一生，就想起了《翼》里面最后腾飞的飞机，《上升》绞刑那一幕的对视，《永恒》中水漫过土地，和《告别》里那棵永恒之树…… 接着这些画面一一出现，全都化作了克里莫夫对拉莉萨爱的表达，浪漫啊。
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